3 10 55 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nova visionis theoria Subject The topic of the resource Optics Description An account of the resource This treatise discusses the physiology of vision. The work was first presented to the Royal Society in 1681. Briggs' discoveries on the anatomy of the eye are presented Creator An entity primarily responsible for making the resource William Briggs Publisher An entity responsible for making the resource available J.P. Samuel Simpson Date A point or period of time associated with an event in the lifecycle of the resource 1685 Contributor An entity responsible for making contributions to the resource William Briggs Identifier An unambiguous reference to the resource within a given context Printed text with engravings Language A language of the resource Latin Type The nature or genre of the resource text Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Physico-mathesis de lumine, coloribus et iride Subject The topic of the resource Optics Description An account of the resource The title transaltes to A Physico-mathematical Treatment of Light, Colors, and the Rainbow. Grimaldi challenged the principle that the propogation of light occurs in a linear fashion. The text discusses his findings based on experiments he did with small light beams, Creator An entity primarily responsible for making the resource Francesco Grimaldi Publisher An entity responsible for making the resource available Victorij Benatij Date A point or period of time associated with an event in the lifecycle of the resource 1665 Contributor An entity responsible for making contributions to the resource Francesco Grimaldi Identifier An unambiguous reference to the resource within a given context Printed text with engravings Language A language of the resource Latin Type The nature or genre of the resource text http://artandscience.artinterp.org/omeka/files/original/5edffcfa20643d9600e62a74dd7ac0d7.jpg 0d42edc60318f88fc6742f91900abd9f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Officer and Laughing Girl Subject The topic of the resource Optics Description An account of the resource It has been a debate for centuries whether or not Vermeer used optics to help create more realistic paintings. This work has clear signs of using a camera obscura. Using this device helps him to figure out the size of the people in relation to one another. Creator An entity primarily responsible for making the resource Johannes Vermeer Date A point or period of time associated with an event in the lifecycle of the resource 1655-1660 Contributor An entity responsible for making contributions to the resource Johannes Vermeer Identifier An unambiguous reference to the resource within a given context oil paint on canvas Type The nature or genre of the resource still image Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sidereus Nuncius Subject The topic of the resource Optics Description An account of the resource Galileo's Starry Messenger discusses his discoveries in the field of astronomy. These discoveries made it critical to correctly analyze geometrical optics that observations with a telescope were based on. Creator An entity primarily responsible for making the resource Galileo Galilei Publisher An entity responsible for making the resource available Thomas Baglioni Date A point or period of time associated with an event in the lifecycle of the resource 1610 Contributor An entity responsible for making contributions to the resource Galileo Galilei Identifier An unambiguous reference to the resource within a given context Printed text with engravings Language A language of the resource New Latin Type The nature or genre of the resource text Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Oculus Hoc Est: Fundamentum Opticum Subject The topic of the resource Optics Description An account of the resource Scheiner was a Jesuit mathematician working in Rome. This treatise describes how the eye sees an inverted image that it somehow is able to flip. Scheiner's descriptions played a large role in the success of Johannes Kepler's theory of vision. Creator An entity primarily responsible for making the resource Christoph Scheiner Publisher An entity responsible for making the resource available Oeniponti (Innsbruck): Daniel Agricola Date A point or period of time associated with an event in the lifecycle of the resource 1619 Contributor An entity responsible for making contributions to the resource Christoph Scheiner Identifier An unambiguous reference to the resource within a given context Printed text with woodcuts Language A language of the resource Latin Type The nature or genre of the resource text http://artandscience.artinterp.org/omeka/files/original/02b8eb156b6629a76553a35a6dfc718a.jpg 2d3d349556ac41212c10dc964dd88b1f http://artandscience.artinterp.org/omeka/files/original/df740f84235b850621bc569461d41f21.jpg 1e3c4cbdd6209ef6c9f452cd10066aab http://artandscience.artinterp.org/omeka/files/original/30e0e6cc4547b57cbc9e21f054be8b39.jpg 46d18220762dab4c22c53eb68b025b2a http://artandscience.artinterp.org/omeka/files/original/f1ea10681f5154a67b81f03a1047174f.jpg 2a7694810d72ef32d7ae25a58f182dc1 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Treatise on Painting Subject The topic of the resource Optics Description An account of the resource Leonardo da Vinci had many notes on painting which were turned into a treatise after he passed away. The treatise discusses da Vinci's theories relating to optics, color, perspective and other elements of painting. Creator An entity primarily responsible for making the resource Leonardo da Vinci Source A related resource from which the described resource is derived Leonardo da Vinci's personal notes Publisher An entity responsible for making the resource available Jacques Langlois Date A point or period of time associated with an event in the lifecycle of the resource 1651 Contributor An entity responsible for making contributions to the resource Leonardo da Vinci, Nicholas Poussin, Charles Errard Identifier An unambiguous reference to the resource within a given context Printed text with engravings Language A language of the resource English Type The nature or genre of the resource text http://artandscience.artinterp.org/omeka/files/original/8a90f27df8990765bac47e6f0ae6251b.jpg aa8573f96c81b89ddc846a353cfbf1b3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Expulsion of Heliodorus from the Temple Subject The topic of the resource Optics Description An account of the resource Raphael uses color, light and shadow in a way that shows he had a clear understanding of optical theories. The fresco shows a shift toward naturalism within art as more artists were beginning to understand optics and the role they play within art. Creator An entity primarily responsible for making the resource Raphael Date A point or period of time associated with an event in the lifecycle of the resource 1511-1512 Contributor An entity responsible for making contributions to the resource Raphael Identifier An unambiguous reference to the resource within a given context fresco painting Type The nature or genre of the resource still image Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Last Supper Subject The topic of the resource Optics Description An account of the resource This painting shows da Vinci's theories of optics being put to use. He was one of the first painters to use optics in order to trick the viewer's eye. Creator An entity primarily responsible for making the resource Leonardo da Vinci Date A point or period of time associated with an event in the lifecycle of the resource 1495-1498 Contributor An entity responsible for making contributions to the resource Leonardo da Vinci Identifier An unambiguous reference to the resource within a given context fresco painting Type The nature or genre of the resource still image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Renaissance http://artandscience.artinterp.org/omeka/files/original/2db5c599131c32cfebcf1462513360f0.png 822065151b6a234d50709c644b6873d7 http://artandscience.artinterp.org/omeka/files/original/782f9cd888f0c43d34e66dadf2a2e0b0.png af4b886d8a47a25f9f814f819c0f9e87 http://artandscience.artinterp.org/omeka/files/original/4373ea05fe27f12b31a0285940d25871.png 849c538461a1f2b24aa05100104ffb6d http://artandscience.artinterp.org/omeka/files/original/bfdc97b844780f5ae8f211940fbc4adb.png 3969877408b6e32eefc173576d0011b9 http://artandscience.artinterp.org/omeka/files/original/22abcd3095d6e55508959203c78e7728.png be909062d4fa7233d17c0e78a24029fb http://artandscience.artinterp.org/omeka/files/original/13732aa4c517a970b525826e7872e15e.png 4c7c09d65a907864ab27a07bb3b73ca1 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trattato di prospettiva (Treatise on Perspective) Subject The topic of the resource Optics Description An account of the resource Zaccolini's treatise has four parts that discuss different theories of painting. The treatise is most noted for Zaccolini's theories on optics and vision and there how they relate to painting. Creator An entity primarily responsible for making the resource Matteo Zaccolini Date A point or period of time associated with an event in the lifecycle of the resource 1618-1622 Contributor An entity responsible for making contributions to the resource Matteo Zaccolini Identifier An unambiguous reference to the resource within a given context Illustrated manuscript Language A language of the resource Italian Type The nature or genre of the resource text Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metamorphosis naturalis Subject The topic of the resource Entomology Description An account of the resource This text is a meticulous representation of the phases of insects and metamorphosis Creator An entity primarily responsible for making the resource Johannes Goedaert Publisher An entity responsible for making the resource available Middelburg : Jaques Fierens Date A point or period of time associated with an event in the lifecycle of the resource 1662-1667 Format The file format, physical medium, or dimensions of the resource Printext text and engravings Language A language of the resource Dutch Type The nature or genre of the resource text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Early Modern Era