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                <text>Zaccolini's treatise has four parts that discuss different theories of painting. The treatise is most noted for Zaccolini's  theories on optics and vision and there how they relate to painting.</text>
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                <text>Matteo Zaccolini</text>
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                <text>Illustrated manuscript</text>
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      <name>Still Image</name>
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                <text>The Last Supper</text>
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                <text>This painting shows da Vinci's theories of optics being put to use. He was one of the first painters to use optics in order to trick the viewer's eye. </text>
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                <text>Leonardo da Vinci</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Leonardo da Vinci</text>
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                <text>fresco painting</text>
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                <text>Renaissance </text>
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                <text>The Expulsion of Heliodorus from the Temple</text>
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                <text>Raphael uses color, light and shadow in a way that shows he had a clear understanding of optical theories. The fresco shows a shift toward naturalism within art as more artists were beginning to understand optics and the role they play within art. </text>
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                <text>A Treatise on Painting</text>
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                <text>Leonardo da Vinci had many notes on painting which were turned into a treatise after he passed away. The treatise discusses da Vinci's theories relating to optics, color, perspective and other elements of painting. </text>
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                <text>Leonardo da Vinci</text>
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                <text>Leonardo da Vinci's personal notes</text>
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                <text>Jacques Langlois</text>
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            <name>Date</name>
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                <text>1651</text>
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                <text>Leonardo da Vinci, Nicholas Poussin, Charles Errard</text>
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                <text>Printed text with engravings</text>
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